BIFROST
“Pagan Reality”
(1994)
Nazgul’s
Eyrie Productions
rating: 4,
5 of 6
“Pagan Reality”
is the debut CD from this cult band coming from Netherlands, and (what
seems to be quite obvious) their weakest effort, especially “thanks” to
the incomprehensible sound engineer’s work. But, in spite of this (rather
serious) shortcoming, “Pagan Reality” still is a decent stuff. Already
back in 1994, BIFROST was a unique band with their own style, better described
as pagan thrash metal… Tunes like “My Ancestor, Now A Dark Woodspirit”,
“My Lady Of Winterfire” or “Battlelord Odinn (Father Of The Victories)”
clearly prove my words. Those who have never heard of this band before,
should better begin getting familiar with BIFROST through “The Wildest
Fire” (1996) or “Mythistory” (1998) CDs, but the ones who already know
what they’re all about but still don’t own “Pagan Reality” CD, have to
get it NOW!!! (Herr Stalhammar)
DARKLORD
“… By The
Force Of Sacred Magic Rites…” (1994, MCD)
rating: 5
of 6
The sound
is awful. Rhythm guitar passages suck incredibly turning into one meaningless
noise, the vocals are in a grindcore vein and it seems like they were done
with help of harmonizer, while bass spawns only some kind of puking… All
in all, this MCD seems to be a total failure, but… what’s most strange,
I like it very much despite the aforementioned drawbacks. Finally, it has
few good sides like powerful leads, pleasant keyboard intros (which also
appear in the songs’ background sometimes) and utter sincerity… Generally
speaking, DARKLORD stand very close to their countrymates, BESTIAL WARLUST.
At least, “… By The Force Of Sacred Magic Rites…” seems to be an attempt
to make something in the vein of “Vengeance War Till Death” CD… (Herr Stalhammar)
DEAD CAN DANCE
“Dead Can
Dance” (1984)
4–A–D Records
rating: 2
of 6
If I’m not
mistaken, this LP is a debut full-length from the band which later became
the legendary source of inspiration for countless bands and musicians,
from pop to black metal ones… Maybe someone would consider this stuff to
be brilliant for the year of 1984, but I won’t say anything like that.
“Dead Can Dance” features quite boring stuff based on female voice and
synthesizers, too emotionless and dull… This LP is good only as the collectors
item, I believe… since such tracks as “The Trial” or “A Passage In Time”
just lull me to sleep. (Herr Stalhammar)
DOOMSTONE
“Those Whom
Satan Hath Joined” (1994)
Nosferatu
Records
rating: 5
of 6
This is pure
underground but still kicks ass! “Those Whom Satan Hath Joined” consists
of thirteen tracks with somewhat naive titles like “Unholy Rosaries”, “Christian
Burial”, “Tales Of Voodoo” or “Twisted Priest”, appearing as true underground
(although ‘top-notch’ when it comes to both, performance and producership)
and unholy heavy metal (yeah, first of all exactly ‘heavy metal’!) mixed
with some death and black, especially singing-wise. The music is quite
simple (however, not primitive), with mighty riffs, hellish shrieks, excellent
guitar leads, some keyboards and horror movie samples, featuring King Fowley
of DECEASED and Demonic of GRAND BELIAL’S KEY. By the way, how do you like
such handles as Cross Turner Upside Downer, Keeper Of The Brazilian Death
Metal Albums and Urinator Of The Holy Graveyards, ha ha!? Brilliant stuff!!!!
(Herr Stalhammar)
DYSENTERY
“Crawling
In Blood” (demo 1991)
rating: 2
of 6
Bleaaurrrgghh!
It sucks! Some stupid unholy grinding death metal, composed without any
trace of fantasy or imagination, extremely primitive and thoughtless, with
anti-christian lyrics and weak vocals. I bet this guy didn’t even know
what he wants when he entered the studio (or his parents’ bedroom?) to
record this worthless crap. So, as you see, not all of the old black /
death metal outputs are worth something… (Herr Stalhammar)
EMPEROR
“Wrath Of
The Tyrant” (demo 1992)
rating: 4
of 6
Including
eight tracks (“Ancient Queen”, “My Empire’s Doom”, “Forgotten Centuries”,
“Night Of The Graveless Souls”, “Moon Over Kara-Shehr”, “Witche’s Sabbath”,
“Lord Of The Storms” and “Wrath Of The Tyrant”), intro and outro, this
tape appears as the first more or less ‘official’ release by EMPEROR which
was a trio back in 1992, consisting of Samoth (drums), Ihsahn (guitars,
vocals) and Mortiis (bass). This is less intriguing and majestic and much
more primitive stuff in comparison to the genius “In The Nightside Eclipse”
CD, however it has that inimitable hatred and sombre atmosphere captured
in each songs, eventhough keyboards weren’t used here. Despite the bad
sound quality, it was very decent release back then… “Wrath Of The Tyrant”
and “Night Of The Graveless Souls” were later included into EMPEROR’s self-titled
MCD (which was also issued as a split CD with ENSLAVED), while “Witche’s
Sabbath” and “Ancient Queen” were unleashed as the “As Shadows Rise” 7’EP
through Nocturnal Art in 1993… (Herr Stalhammar)
MANES
“Maanens
Natt” (demo 1993)
rating: 4
of 6
Hmm, I’m
wondering where have they gone now? “Maanens Natt” was very good for the
beginning… This four-man band (formerly called PERIFA) consists of Darklord
(guitars and main composer), Sin (guitars, bass), Cerenunnus (guitars,
bass, drums and synthesizer) and Sargatanas (vocals) claim(ed) to be ‘unholy
metal’ band, not BM, you see… However, their music sounds exactly the way
Norse black metal could sound in 1994… “Maanens Natt” includes four tracks
of pure black metal, influenced by such acts as BATHORY (early) and maybe
also SAMAEL. It’s less chaotic and more mid-paced in comparison to f.ex.
IMMORTAL, CRYPTIC or EMPEROR, i.e. the Norway’s bands who also made their
debut that time (a year before, or a year later… - doesn’t matter), featuring
undoubtedly grim atmosphere… I liked it, but… too bad but it seems like
they’re no more?? (Herr Stalhammar)
OBSCURITY
“Damnation’s
Pride” (demo 1987)
rating: 2,
5 of 6
Together
with BATHORY, this band was one of the first Swedish death / black metal
acts, and here we have their demo released twelve years ago… Well, actually,
I liked BATHORY’s demo stuff much more than this tape. “Damnation’s Pride”
brings some raw and evil mixture of black / death (musically) and thrash
metal (vocally), lacking anything interesting or attractive… It reminds
me a lot of early SEPULTURA (circa “Bestial Devastation”) as well as earliest
DEATH SS and KREATOR’s works. When I first has a chance to listen to it
(and it was more than eight years ago), “Damnation’s Pride” impressed me
thousand times more than now… But time passes, and any music demands some
necessary development (even black metal one, ha ha!), while such acts as
OBSCURITY appear of no interest to me now… I’d better listen to the aforementioned
BATHORY’s demo, SODOM or INFERNAL MAJESTY… “Demented” is the only track
I really like here, others sound just too boring for me… Also, those weak,
almost ‘shouting’-alike vocals… (Herr Stalhammar)
PAGAN RITES
“Hail Victory!”
(1993, 7”EP)
rating: 4,
5 of 6
PAGAN RITES
is the band which preceded TRISTITIA, but I doubt if any of latter act’s
fans know about it. “Hail Victory!” was their only more or less accessible
effort, since despite all my attempts I couldn’t find their early demos,
especially those which were issued under the name AUTOPSY TORMENT. This
7”EP has two tracks on it, “Hail Victory!” itself and “Heathen Land”, featuring
primitive but not thoughtless melodic black metal with lots of “clean”
voices by Tomas (pretending to be an opera singer, heh heh) and fine guitar
solos. The sound could be MUCH better, but it’s not awful… so check it
out. It’s worth your attention (of course, firstly you have to find this
7”EP, ha ha!) (Herr Stalhammar)
POSSESSED
“Beyond The
Gates” (1986)
Under One
Flag
rating: 3,
5 of 6
Firstly,
I wanted to review “Seven Churches”, however later I figured out that most
of you, most possibly, are already familiar with that legendary LP, so
I decided to review it’s follow-up instead. If it was “Seven Churches”
here, it would get a highest mark, although (unfortunately) “Beyond The
Gates” is not so exciting and innovating… also being less brutal and complex.
This LP features some satanic thrash / black / death metal, with really
stunning leads (the rhythm guitar doesn’t sound so impressive), powerful
drumming and surprisingly nice producership, but it’s incredibly less brutal
if comparing to their former effort. Also, it’s more thrash-oriented, while
“Seven Churches” sounded exactly like black / death album could sound in
1985. Vocals is what I don’t like here as well. Unfortunately, due to some
unknown reasons, Jeff doesn’t sing as aggressive and hellish as on POSSESSED’s
debut output. Generally speaking, this LP has some good pieces anyway,
like “Beyond The Gates”, “Beast Of The Apocalypse” and absolutely killer
“Dog Fight”, for example… (Herr Stalhammar)
SUFFERING
“Sowing The
Seeds Of Suffering” (1994)
Arctic Serenades
Records
rating: 5,
5 of 6
SUFFERING
was one of my favorite Norway’s black metal acts back in 1994, however
it seems like they’re defunct now…? If yes, it’s really sad, because with
“Sowing The Seeds Of Suffering” they proved that they’re not just ordinary
Norse band pretending to be “true” with boring, primitive and badly recorded
music. This CD has a very pleasing apperance and it’s contents are even
better than the packaging… SUFFERING perform mid-paced, evocative black
metal in the vein of early IMMORTAL and ULVER (it seems like we can find
here few similarities with MANES and MOCK, if talking about lesser known
bands), with inimitable atmosphere (while no synths or any other suchlike
instruments were used here!), grim vokills and brilliant leads (especially
the ones by Ole Morten Persen). Guitar work is the strongest side of SUFFERING
– how many Norway’s bands featuring extremely talented musicians have you
heard in 1994? FESTER? Ok. Perhaps, also CARPATHIAN FULLMOON and aforementioned
IMMORTAL together with ULVER. And… looks like that’s all. So, SUFFERING
undoubtedly stood against the background of countless DARKTHRONE and BURZUM-clones
back then… I really would like to believe that this splendid band is still
alive… (Herr Stalhammar)
UNANIMATED
“In The Forest
Of The Dreaming Dead” (1993, CD)
No Fashion
Records
rating: 5,
5 of 6
Looks like
we should say “R. I. P.” in regards to UNANIMATED? It’s truly a pity, no
doubts, simply because it was an outstanding band, one of the best in Sweden
– at least when talking about “Firestorm” demo (1991) and “In The Forest
Of The Dreaming Dead” CD (“Ancient God Of Evil” (1995) was much weaker
and too heckneyed, at least after such an original debut effort). It’s
something better described as black / death / thrash metal, melodic though
brutal, with recognizable hysteric voice by Micke, atmospheric keyboards
here and there (played by Jocke Westman) and definitely staggering guitar
work with plenty of powerful leads. And fortunately, no trace of DISSECTION
/ AT THE GATES influence here! “Blackness Of The Fallen Star”, “Silence
Ends”, “In The Forest Of The Dreaming Dead” and “Cold Northern Breeze”
are killer tracks! Check ‘em out first! (by the way, “Silence Ends” was
featured on “Blackend” compilation released by Blackend / Plastic Head
Records (UK) in 1994). The only bad thing here goes for the stupid and
quite primitive layout and design, as well as the cover art… erh, actually,
there’s no ‘cover art’, just a band picture and I hate such things. (Herr
Stalhammar)