A.C.T.U.S.
“Sacro Sanctum”
Cthulhu Records
rating: 6 of 6
It’s hard to believe, but this unique Hungarian act is nearly thirteen years old now… while this album (despite the fact that it was unleashed in 1999) is a sort of “anniversary” edition that has been made between December 1996 and June 1997. The cover says that the whole album was “performed live on the occasion of the 10th anniversary of the A.C.T.U.S. on June 7th 1997, at The Church Hall of The Budapest Kiscelli Castle”. Sounds weird? Not at all, at least when it comes to A.C.T.U.S. Yes, it’s exactly the kind of act (I can’t define ‘em as regular “band”, you know) whose works should be performed in exactly such places as I mentioned above… Their music… ah, it’s truly hard to describe. Weird and perturbing, anxious yet bewitching, sick and tremendous… All the words of the human language fail miserably if trying to tell anyone what is A.C.T.U.S. I believe it’s utterly useless to go on with this review… They elaborate highly intriguing, experimental form of new-age ambient with unique musical and lyrical ideas behind it… and that’s all I can say here… A masterpiece. (Herr Stalhammar)

AGATHODAIMON
“Higher Art Of Rebellion”
Nuclear Blast Records
rating: 6 of 6
Even though we have tons of crap this issue, we also face somewhat frightening fact, i.e. that there’re also TOO MUCH acts who have managed to unleash absolutely amazing albums. Such as “Higher Art Of Rebellion” by this young German band. Even if their debut CD, “Blacken The Angel”, was so-so (all pro-done, although still not that exciting as it could be), this one is a masterpiece! “Higher Art Of Rebellion” is extremely various, however this diversity doesn’t harm it at all, since, even being absolutely different, all tracks merge into one common thing. I’m sure that everyone (doesn’t matter what kind of black metal or, more likely, what kind of music in the whole) he listens to, will find something to attain his personal spiritual ecstasy… There’re extremely dark and somber tracks like “Ne Cheama Pamintul” or “Glasul Artei Viitoare”, capturing truly unique atmosphere, the atmosphere of pure demise, forced by the inimitable vokills by Vlad… There’re somewhat romantic, even heart-rending, though still rather anxious tunes like “Body Of Clay” (which is, in fact, a black metal ballad!) or “Ribbons / Requiem” remix, featuring amazingly strong and powerful Dio-alike “clean” vocals and stunning arrangements… There’re typical (although the word “typical” is something we can’t associate with AGATHODAIMON) black metal songs, such as “Back Into The Shadows”, which remind me a bit of latest works by ANCIENT… And, of course, there’re many more compositions (the album lasts for approximately 70 minutes) which bring in few experimental moves and various samples… Ah, this effort is a jewel! Furthermore, “Higher Art Of Rebellion” possesses nearly unique sound, perhaps thanks to the fact that few songs are sung in Romanian, while the whole album was also recorded in Romania (it may be easily explained, since Vlad, the singer, comes from that country)! This is absolutely amazing CD, don’t miss it! (Herr Stalhammar)

AKERCOCKE
“Rape Of The Bastard Nazarene”
Goat Of Mendes Records
rating: 4 of 6
Interesting work. This act (rather young one, I believe) plays exciting mixture of typical death metal riffing and hateful UG black metal – although, the “UG” label doesn’t necessary suggest ugly production and lack of musicianship… so, the production is quite good as are the musicians’ playing skills. In general, “Rape Of The Bastard Nazarene” is rather diverse CD, with few samples and industrialized sounds brought in here and there… At least, this is neither your typical “true” “bzzzzzzzzzzzz”-sounds, nor regular DIMMU BORGIR-cloning. Check it out.
P.S. By the way, what’s most strange with this band… is the way they entitle their creations. Just imagine such banality as “Hell” or “The Goat” mixed with female names-entitled tracks… (Herr Stalhammar)

ALGHAZANTH
“Thy Aeons Envenomed Sanity”
Woodcut Records
rating: -
Why didn’t I rated this CD, eh? Well, simply because it was too difficult task for me. ALGHAZANTH is a rather young band coming from the shores of the land of a thousand lakes, while their style is fast, synth-spiced black metal. Yeah, the sound is great (Tico Tico Studio and, consequently, Ahti Kortelainen behind the bench), and these guys are really good musicians… yes, arrangements sound nearly stunning, while this CD doesn’t get boring as it often happens nowadays with neophyte black metal acts’ debut recordings… Yeah, yeah, yeah… Blah, blah, blah… Well, well, well… No, I didn’t lose my mind (yet). I just can’t say anything else… ALGHAZANTH is too typical stuff, y’know. Yes, it’s all pro-done, but still typical. Therefore, don’t make me go insane and rate this album, because it isn’t worth of neither ‘6’ of ‘6’, nor ‘1’ of ‘6’. LIMBONIC ART, EMPEROR, ODIUM, DIMMU BORGIR, LIAR OF GOLGOTHA, MYSTIC CIRCLE and so on and so forth… If you like the bands mentioned above, dare and purchase this album… All in all, it’s not so bad (oops, ‘not so fucking standard’ is what I wanted to say). (Herr Stalhammar)

AMON AMARTH
“The Avenger”
Metal Blade Records
rating: 2, 5 of 6
And what am I supposed to say here?! Let me say for one more time: if talented and skilled musicians book such a studio as Abyss and record an album featuring stunning lyrics and splendid cover artwork… the music may suck anyway. Especially, if you come from Sweden… What we have here is fast-paced yet melodic and technical BM-spiced death metal with viking attitude… I guess I’ve heard suchlike stuff for thousand times, although AMON AMARTH stand against the background of most similar bands coming from Sweden. However, it’s not the reason to give ‘em a better rating. (Herr Stalhammar)

ANCIENT WISDOM
“… And The Physical Shape Of Light Bled”
Avantgarde Music
rating: 5, 5 of 6
Surprisingly, sometimes you get some good, non-typical black metal from Sweden which doesn’t have anything to do with that country in terms of sound. Let me introduce you ANCIENT WISDOM, the band (or one-man project??) led by Vargher of BEWITCHED. However… I guess, the word “introduce” misshapens things a bit, since this act was started in the year of 1992 and has two albums behind it. More likely, two undoubtedly impressive albums – but this one is better anyway. First conceived as MCD, it was finally released as full-length piece some time ago. “… And The Physical Shape Of Light Bled” comes with seven songs (+ a cover from DEMON, “The Spell” classic) of, no, absolutely not “slowest and most depressive black metal band on Earth”, and no, it’s far from being “the soundtrack of the end”, as their label tells us. Yes, ANCIENT WISDOM is slow. But not the “slowest”. Moreover, it’s not depressive at all, more likely tremendous, even somewhat beautiful, beautiful in a dreadful way, of course. It’s uniqueness consists in utterly astounding combination of brilliant symphonic parts, great guitar work (not some typical BM buzz, y’know) and finally those inimitable shrieks performed by Marcus. This album simply mesmerizes you… especially “As The Mourningstar Shineth” and “The Serpent’s Blessing”. Well, the DEMON’s cover seems to be splendid one as well. So does the artwork (by Jens Ryden of NAGLFAR). More than highly recommended; especially, taking into consideration the fact it’s original at 100% (surprise, surprise!). (Herr Stalhammar)

ANDRAS
“Quest Of Deliverance”
Last Episode Productions
(provided by SureShot Promotion)
rating: 5 of 6
I like it. Even though “Sword Of Revenge”, released back in 1999, was total crap, I like this one. ANDRAS managed to create highly impressive effort this time, mainly because of the studio change as well as adding more keyboards and variety… I don’t know if it’s good or bad, however ANDRAS will always stay an underground band and don’t ask me why… It’s just a fate of theirs, nothing more, nothing less. “Quest Of Deliverance” is comprised of seven tracks (+ intro and outro) tracks of melodic yet raw black metal (though, well played and recorded), featuring some opera-alike female voices as well as male “clean” vocals (which sound thousand times better if comparing ‘em to the ones present on the work ANDRAS made their debut with, back in 1997)… All in all, this album is the best one these guys have managed to create so far, even though there’re only two of them left now (Damien Nightsky on guitars and Black Abyss on vocals and bass + EMINENZ’ drummer doing drum-arrangements)… Check out tracks like “Quest Of Deliverance”, “In The Shadow Of The Light” and “Das Klagelied” and you’ll understand why I gave this CD ‘5’ of ‘6’. And yeah, that SODOM’s cover, “Blasphemer”, really shreds!!! (Herr Stalhammar)

ANGIZIA
“Das Schachbrett Des Trommelbuben Zacharias”
Napalm Records
rating: 5, 5 of 6
“Ah, it’s all the same again!” – was the very first thought of mine when I gave a listen to few tracks off this CD… BUT. Never judge anything until you get really familiar with it. This is the latest effort from Austria’s ANGIZIA and, obviously, their best work so far. It doesn’t differ a lot from their previous CD’s, although I must admit that Engelke and co. endured some kind of metamorphosis anyway. First of all, those high-pitched black metal vokills were removed, as were the lyrics in Russian (and that’s only for good, in my view). Furthermore, the arrangements became somewhat more bewitching and complicated, even though I can’t really say “why”. In the whole, this album’s lyrical concept is based upon “Pikovaya Dama” by one of the most famous Russian authors of the 19th century, Alexander Pushkin – and you can even feel the Russian spirit which this work is soaked with… especially, when accordion comes in… Excellent CD – nothing more to say. (Herr Stalhammar)

ANOREXIA NERVOSA
“Drudenhaus”
Osmose Productions
rating: 5 of 6
Ladies and gentlemen, here comes France’s CRADLE OF FILTH. And, in fact, I definitely prefer this CD over “From The Cradle To Enslave”. Thousand times more various, grim and blasphemous stuff, check it out. (Herr Stalhammar)

APHASIA
“Beyond The Infinite Horizon”
self-released
rating: 4, 5 of 6
I haven’t received anything from Canada for a long, long time, that’s for sure. But finally, arrives the package with a CD-R, packed with an impressive coverart (well, the appearance in the whole is good, even though it’s quite unpretentious). The band is called APHASIA and they are black metal. Surprise? I guess not. This MCD (or a demo CD? Doesn’t matter, really) is comprised of four tracks of mid-tempo black metal, featuring both, typical BM vokills and (lesser amount of) growling, splendid producership and playing skills (especially when it comes to drummer). The music, even though it’s rather grim, appears as somewhat dreamy and tranquil, simultaneously possessing inimitable atmosphere. In fact, there’s nothing special in it, however I would never confuse APHASIA with anyone else.
Email the band and order this disk at <stephoule@videotron.ca>.
(review by Herr Stalhammar)

ARGHOSLENT
“Arsenal Of Glory”
Sempiternal Productions
rating: 5 of 6
This is a second CD by Virginia's ARGHOSLENT, being comprised of six “new” (though recorded back in 1996) tracks as well as four tunes taken off their almost legendary “The Imperial Clans” demo (1994). This death metal outfit has survived the long duration of the death genre and still stands today as a well respected (although totally underground) death metal act. Though generally considered death metal, I would have to argue ARGHOSLENT to be of a more old style influenced metal band incorporating death-like qualities, adding few black metal elements and a unique touch all to their own. Each production from this band has succeeded in maintaining a raw and underground sound while simultaneously emerging a step above all other bands in the underground genre, as ARGHOSLENT owns an atmosphere to their music that cannot be matched by another and puts them in their own category of genocidal impurity.  Original and thought provoking lyrics and imagery accompany this band and has always added to a part of their uniqueness from others in the scene. Coming with a splendid appearance, “Arsenal Of Glory” appears as highly impressive release and recording well worth the interest of those who enjoy hate, war, and holocaust. (Herr Stalhammar)

ART INFERNO
“Abyssus Abyssum Invocat”
Scarlet / BL Music
rating: 3, 5 of 6
I first got acquainted with this band thanks to the Black Tears newsletter and here’s their debut CD. Well, I wouldn’t say I got high on it, unfortunately. It’s Italian-school occult black metal in the vein of late EVOL and alikes, coming with stunning artwork, perfect production and splendid musicianship, although it’s not that impressive as I expected it to be. Despite that drumming sounds nearly outstanding and those majestic arrangements appear as definitely bewitching ones… it’s rather typical stuff anyway. Good, however I’m not sure if Italian black metal scene gains anything by this band’s appearance. You know, it’s the kind of case when you can’t drag the band into shit due to the fact that there’s nothing bad in it, but in the same time you can’t praise it, since it’s nothing special or outstanding. Well, it’s my opinion only, so it’s up to you either to check out this CD or not. (Herr Stalhammar)

ASTAROTH
“Violent Soundtrack Martyrium”
CCP Records
rating: 2 of 6
Actually, this one is not bad. Too boring, though. You know, “Violent Soundtrack Martyrium” seems to last for ages, therefore I was really surprised when I found out that I’ve listened to only half of the songs, while I was sure that time has come for this album to end. Basically, ASTAROTH perform quite typical black metal. Fast, melodic, atmospheric… and so damn standard! All songs are similar to each other, furthermore they use drum machine which, despite that it’s fast and well programmed, sound nearly irritating sometimes… I can’t really understand why CCP signed this band… as well as GRABAK, whose latest effort is also far from being perfect… Hey men, you’d better look for better bands outside Germany! (Herr Stalhammar)

AVERSE SEFIRA
“Homecoming’s March”
Arrogare Records
rating: 5 of 6
Let me be short this time (a reader – “once again?!”). No? So who the hell are you to tell me what I have to do and how to act?! Ah, yeah, you’re the one this mag is intended for – to read through. Anyway, sorry. I’m drunk. Perhaps, that’s why I like this CD? No. I guess, the answer is no. Definitely. AVERSE SEFIRA come from USA and this duo plays black metal. Whatta surprise… Yeah, that’s surely a surprise, because this act contrived to create WORTHY black metal. Just conceive BLACK FUNERAL, make it much more technical, even more (!) atmospheric and all pro-done and you’ll get AVERSE SEFIRA. No keyboards (hmm…), only short (and truly fucking weird) introductions before each song… Good vocals, good rhythms and harmonies (?), good musicianship, good sound, good layout… and yeah, get rid of those disgusting “clean” vocals (even though, the “choirs” strike as the splendid ones). True (not thoughtless, though) black metal. All in all, if you’d like all pro-done (and seeming to be sincere) pure black metal, check out this CD. I may be drunk, but even if I’m drunk (as fuck) I still can distinguish crap from worthy stuff. I think, AVERSE SEFIRA should be reckoned to the latter.
Oops! I forgot to tell you that I’m going to arrange an interview with these guys… See ya. (Herr Stalhammar)

BAL SAGOTH
“The Power Cosmic”
Nuclear Blast Records
rating: 5, 5 of 6
Well… do I really need to say anything? In fact, I feel that I’d have to if BAL SAGOTH endured some kind of metamorphosis in one way or another, however it’s all still the same – with an exception for their image and lyrics. I guess, the album’s title says it all… As to their contemporary appearance, you have to see it yourselves. There’s no other way. Otherwise, you’ll just won’t believe me if I describe it… Mighty warriors with ancient swords and ancient-Britannic flags, wearing… leather jackets and sunglasses. Yeah, that’s truly weird but still exciting conception (i.e. a stunning mixture of ages past and modern high technologies). In short, “The Power Cosmic” seems to be quite similar to such works as “Battle Magic” or “Starfire Burning…”, in the same time being more… erh, brutal, perhaps? At least, that’s my opinion. Splendid work by an outstanding band. (Herr Stalhammar)

BELIAL
“Never Again”
Lethal Records
rating: 4 of 6
BELIAL are back on Lethal??? Can’t believe it! Kill me now, since I seem to be going insane… Oh… Ok, nevermind. Let them release their CD’s through those labels they want to do it… Unfortunately, “3” was the only album by this Finnish band I’ve got myself acquainted with, and as I was told it didn’t have anything to do with early works by these dudes. That one appeared as a weird cross between grunge, alternative rock and black metal… Kinda NIRVANA meets IMPALED NAZARENE, heh heh… “Never Again” is totally different and I believe it’s some sort of “getting back to the roots”. This CD features ten tracks of hateful and furious black metal with some originality, magnificently recorded and performed. It reminds me a bit of the best songs by IMPALED NAZARENE, although BELIAL sounds much more exciting, especially with these short weird-sounding interludes between “normal” songs… Great. (Herr Stalhammar)

BEWITCHED
“At The Gates Of Hell”
Osmose Productions
rating: 3 of 6
I have three CD’s by BEWITCHED in my collection (“Diabolical Desecration” (1996), “Pentagram Prayer” (1998) and this one) and it seems like “At The Gates Of Hell” is their most successful release so far. It’s just plain, melodic yet aggressive mixture of heavy and black metal with some thrash elements brought in. Just like “Pentagram Prayer”, it was recorded in XL-Studio, although I feel that the sound is better… By the way, this CD features few lineup changes: Blackheim finally left the band and Stormlord replaced Reaper on drums – and I guess, these changes are only for better. Just like with all the albums by this Swedish band, “At The Gates Of Hell” gets a bit boring after few songs (that’s why the first ones are best ones, like “Sabbath Of Sin”, “Heaven Is Falling” and “Black Mass”), and you almost fall asleep somewhere in the middle of the CD, being waken up only by “Let The Blood Run Red”, a cover from THOR with… Thor on guest vocals. All in all, it’s rather mediocre release. (Herr Stalhammar)

BLOODTHORN
“Onwards Into Battle”
Season Of Mist Productions
rating: 6 of 6
A lot of things changed over years… Krell (vocals) and Tom (guitars, ex-MANES) were the only permanent participants in BLOODTHORN back in 1997, when they made their debut with “In The Shadows Of Your Black Wings”… That one was absolutely great effort, however “Onwards Into Battle” strikes as even better work. Now the band seems to have full lineup, supplemented with Kristine (female voice), Geir Michael (keyboards) and Knarr (drums) who already took part in the debut CD’s recording sessions, while Kai on lead guitar (who have been replaced by the guy from AGRESSOR  (a cult metal band from the lands of France) after this album was completed) and Harald (bass) are the complete neophytes when it comes to BLOODTHORN. Well, no surprise that “Onwards Into Battle” is simply an outstanding effort! It brings much more powerful and, what’s no less important, memorable music to be described as splendid mixture of black and death metal, atmospheric at 1000000%, featuring few female vocals here and there as well as brilliant, polyphonic sound. “Dolby-surround”, ha ha. Vocals vary from deep, monster-alike growls to hateful black metallish vokills, guitars thicken the whole sound, while drums tracks are one of the most powerful ones I’ve ever heard in black metal… Well, seems you already guessed that synths (also sounding extremely thick and enveloping) just complete the whole picture of a BLOODTHORN battle… In general, the music is mostly sombre and grim, especially in “Death To A King” and “The Day Of Reckoning”, which are, along with 12-minute epic “The Brighter The Light, The Darker The Shadow”, my favorite tracks off this magnificent (once again – MAGNIFICENT!!!) CD. A MUST. (Herr Stalhammar)

CARPE TENEBRUM
“Mirrored Hate Painting”
Hammerheart Records
rating: 4, 5 of 6
Fast-paced, atmospheric and bewitching black metal in the vein of “Anthems…”-era EMPEROR. In contrast to their debut, this CD lacks some originality – as well as boredom. Majority of tracks sound pretty similar to each other, although there’re few exceptions, f.ex. closing “Dreaded Chaotic Reign”, an instrumental tune… definitely a fascinating piece. I wouldn’t say that CARPE TENEBRUM appear as something special, however the stuff they compose is enjoyable enough. And, of course, all pro-done. (Herr Stalhammar)

CRADLE OF FILTH
“From The Cradle To Enslave E.P.”
Music For Nations
rating: 3 of 6
Aha, one more EP from CRADLE OF FILTH… but so fucking what?! It features six tracks, the first one is the new one, “From The Cradle To Enslave” as well as “Of Dark Blood And Fucking” (at least, I believe so) – and both seem to be rather weak musically… well yes, they’re more brutal if comparing ‘em to the older creations, but again – “so fucking what?!” These tunes are thousand times less exciting anyway. Then we have absolutely uninteresting cover from DANZIG, “Death Comes Ripping”, and more or less splendid cover from ANATHEMA, “Sleepless”. The fifth track appears as “Perverts Church (From The Cradle To Deprave)”, i.e. this MCD’s title-song that has been remixed by Damien Clarke (SHIP OF FOOLS). I must admit, it strikes as quite exciting experiment – apart from the new version of “Funeral In Carpathia”… All in all, this is very mediocre release. (Herr Stalhammar)

CRYPTIC CARNAGE
“Retrospect 2000”
Serenades Records
(provided by SureShot Promotion)
rating: 4 of 6
“Retrospect 2000” is the third album from this rather impressive German act. The first one, “And Another Kingdom Was Born”, released by Folter Records, appeared as sort of “nothing-special-gothic-black-metal” stuff, while the second one (“Rozelowe”, out through Last Episode) seems to be much more intriguing – kinda black metallish gothic metal stuff with some folklore and medieval passages incorporated. Listening to that one, I predicted this band a bright future… but “Retrospect 2000” didn’t justify my hopes at all. This album signifies yet few more lineup changes – Mathias Kruschke is the new singer, while keyboards are now played by Andre Busch and bass – by Andreas Ritz. This CD is based on lyrical concept dealing with the story of 2000 years of human history and fantasy. The mystic, mean and most of all rebellious sides of the human ones are being revived musically and lyrically; this comprises subjects like f.ex. Mary Shelly’s “Frankenstein” and the prophecies of Michel de Notredame… and so on, and so forth. Yes, sounds interesting indeed. Furthermore, the sound quality is excellent due to the fact that “Retrospect 2000” was executed in that famous Commusication Studio by Gerhard Magin… and yes, PINK FLOYD’s cover, “High Hopes”, sounds enough exciting. But that’s all if talking about good sides of this effort. The music itself is some kind of gothic / dark wave stuff featuring few black metal and psychedelic elements, heavy-sounding guitars and splendid vocal lines by Mathias… all in all, just like EVER EVE’s “Regret”, it’s highly pleasant effort – but that’s just not for me. You know, it lacks any shortcomings (at least, visual ones), but I just don’t like it. Very average and mediocre effort for me. (Herr Stalhammar)

DARK FUNERAL
“Teach Children To Worship Satan”
No Fashion Records
rating: 5 of 6
Here comes a brand new recording from Sweden’s masters of black art, DARK FUNERAL. First of all, it’s not really a mini-CD of full value, since it features only one new track which comes along with four covers and a video-clip (I can’t judge whether it’s worthy one or not, since something wrong went with loading it on my PC…). Lord Ahriman and co. have finally found a drummer, Gaahnfaust, and I must admit, his work is pretty satisfying. Musically, “Teach Children…” is definitely the kind of effort deserving our attention. The first track, “An Apprentice Of Satan”, is done in typical DARK FUNERAL vein, although (surprise, surprise!) it’s a bit more various, showing more epic side of the band. The second one, “The Trial”, is a cover from KING DIAMOND, previously featured on No Fashion compilation CD – and no doubts, it’s the best cover off this effort! Furthermore, Lord Ahriman, Emperor Magus Caligula and Gaahlfaust are being supplemented by Dee Moe on female vocals and Larsa (who’s responsible for solo guitar) here – as well as on SLAYER’s “Dead Skin Mask” (only Dee) and SODOM’s “Remember The Fallen” (only Larsa). Well, other covers (including the last one, “Pagan Fears” by MAYHEM) are less impressive, although good as well. Anyway, I’m expecting their third full-length CD… no doubts, it will be a killer! (Herr Stalhammar)

DEMONIAC
“The Fire And The Wind”
Osmose Productions
rating: 3, 5 of 6
The same case as with BEWITCHED. “The Fire And The Wind” features similar melodic heavy metal with black metallish voice; well, perhaps, lacking any thrashy elements, but so what… Their first album (“Prepare For War”, 1995) appeared as highly exciting and innovative effort, the second one (“Stormblade”, 1997) was less impressive, although it was enough fresh back then… while “The Fire And The Wind” is INCREDIBLY less interesting and intriguing. Yes, the guitar parts sound stunning, yes, it’s full of worthy and memorable (not commercial, though!) melodies, but… I’d hail only the title-song which is definitely absolutely amazing piece, as well as “Myths Of Metal” with “Hitler Metal – Sieg Heil!” refrain… (Herr Stalhammar)

DESASTRIOUS
“Loekr Inn Niflheim”
Desastrious Records
rating: -
Damn this fever. While my friends hang out outside enjoying the sunshine, I have to stay at home writing reviews… And it’s pretty hard to review stuff like “Loekr Inn Niflheim” without having at least a couple of beers. No, they’re not Norwegian as one could think. HE (as DESASTRIOUS is a one-man band) comes from United States. And yes, he claims his lyrics are written mostly in ancient Norse language. Why? Better ask Nocturnus. This CD is limited to 1000 (hand-numbered) copies – and I really doubt if this guy will contrive to sell even this small quantity. So what about music? Ha… dare to conceive a mixture of ILDJARN and “Filosofem”-era BURZUM. Actually, it heavily reminds me of my first musical endeavors. Let’s get back in the year of 1994 and fancy a young man who picks up Korea’s Ibanez along with old, small and crappy Marshall amp, taking a sit near his stereo. And yes, then comes the microphone stolen from Sony’s Karaoke VCR. Finally, he starts to “play”, even though his attempts have nothing to do with music as he is not acquainted with even one single accord. Further on, after he has recorded three “tracks”, he tunes his guitar as low as possible conceiving himself a bassist… No, this is not the end of a story. To finish it, I’ll have to tell you that he uses ONLY ONE patch to get a drum sound. And finally, the demo tape is ready!!! What a masterpiece! In fact, “Loekr Inn Niflheim” sounds pretty similar to that experience (I quitted all my attempts to become a musician long time ago. Lucky me, I guess), however it has some keyboards (although, I doubt if Nocturnus is familiar with such a thing as sequencer) and rather grim atmosphere. Some kind of nostalgia absorbed me while I was listening to this CD, you know… I don’t really know what to add here. For raw black metal die-hard fans only. (Herr Stalhammar)

DIABOLICAL
“Dominus Infernal”
Icarus Productions
rating: 5 of 6
This is the second band coming from Paraguay I’ve heard, and surprisingly it’s no less good than SABAOTH, even though they’re really different stylistically. While SABAOTH are into some kind of gothic black metal, DIABOLICAL definitely seem to worship early BURZUM. This CD, recorded in Winter of 1996 and (due to various reasons) released only three years after, contains nine songs of pure mayhem, with insanity-spiced shrieks being very similar to those of Varg, stupendous drumming (just listen to “Ready For The Ceremony” or “The Ancient God Serpent”!) and very good guitar work (there’s even a splendid solo one can discover while listening to “The Warriors”-track). You won’t find any synths or female voices here, however it doesn’t strike as a shortcoming, since DIABOLICAL simply don’t need anything except “usual” instruments, like guitars, bass and drums. Once again; everything is performed on a surprisingly high level; the same goes for production (and layout as well). And no, it’s not your old-fashioned black metal, the one “which won’t find any listeners due to the fact it’s utterly obsolete”. I guess, every feeble BM soul would recall that the latest CD from IMMORTAL (which is also “obsolete”) gained truly positive feedback – and I hope, the same will happen to this album. (Herr Stalhammar)

DIABOLICUM
“The Grandeur Of Hell (Soli Satanic Gloriam)”
Napalm Records
rating: 4 of 6
Ultra-fast though diverse Swedish black metal played (and composed) with a thought. Some pseudo-symphonic elements appear here and there, however it’s mostly guitar-based stuff. And yes, add few industrial-vanguard-hell-knows-what sounds and a (pretty well-programmed) drum-machine. Good. (Herr Stalhammar)

DREAM INTO DUST
“No Man’s Land”
Chthonic Streams
rating: 4 of 6
The history says that DREAM INTO DUST already have one CD behind them (on Elfenblut / Misanthropy), however “No Man’s Land” is the first effort by this trio that I’ve got myself acquainted with. It comes with amazing artwork  and packaging and four songs of ravaging dark ambient / industrial stuff, although it sounds nearly romantic at times. Usually, suchlike works don’t feature any voices, however DREAM INTO DUST managed to find an individual with undoubtedly pleasant voice, although I must admit that it sounds rather weird here due to the fact that his singing would fit some power metal or dark wave act better, no doubts. Ok, I don’t really know what to add. It’s enough enjoyable and exciting MCD, furthermore, rather original, but I can’t say that it made me really intrigued. Good. But every “good” is the worst enemy of every “perfect”. (Herr Stalhammar)

DROTTNAR
“Spiritual Battle”
Plankton Records
rating: -
I’m always a bit confused when I get stuff like this. You see, I didn’t know DROTTNAR is a christian band (with a lineup of four (!) brothers, by the way!) when I gave this CD a listen for the first time – and obviously liked it, since musically “Spiritual Battle” (being comprised of this band’s two earlier works in the shape of demo efforts)  definitely appears as highly exciting CD! In short, to give you a hint about their style, imagine a combo of early SATYRICON and AETERNUS and you’ll get the point. Yes, mostly slow and mid-paced dark (‘light’…?) metal with vocals varying from black metallish shrieking to deep, enigmatic growls (the latter ones prevail on the second demo which is actually also a second part of the CD). Rarely the synth breaks in, though in the whole the atmosphere is being forced by the usual instruments, such as guitar, drums and bass. As all the songs were executed at X-Ray Studio and later mastered, it’s obvious that “Spiritual Battle” lacks shortcomings in terms of sound. The only thing I could cavil at here (besides lyrical canvas, of course) is the cover which is undoubtedly ugly (in fact, being the same photo as on the back, only a bit distorted). Very good CD… but it could be better if they sang in Norwegian – than I wouldn’t understand a word. It could be good as well if they didn’t publish lyrics. It’s truly a pity when you get a CD which strikes as a splendid one musically, in the same time feeding you with christian crap lyrically… (Herr Stalhammar)

EINHERJER
“Norwegian Native Art”
Native North Records
rating: 5 of 6
EINHERJER comes back with a third full-length piece, as worthy as “Odin Owns Ye All”. One thing I can’t really understand is why they can’t manage to keep on associating with the same label for at least three CD’s…? I’m going to wonder about in while arranging the interview, anyway. So what about the music? Basically, “Norwegian Native Art” (what a pathos!) is done in the same vein as “Odin…”, even though it differs a bit (or more than a bit). First of all, despite the fact production is the same as previously (Los Angered and Andy LaRocque behind the bench), the sound overall seems to be somehow gloomier. Furthermore, the music itself endured certain kind of metamorphosis – of course, it’s only my personal opinion, but some tracks off “Norwegian Native Art” strike as the ones which can be described as “melodic death metal mixed with thrash-alike voice as well as some heavy metal and folk seeds incorporated”. Definitely, Ragnar sings a bit differently this time – and I wouldn’t say it’s a good change, since I like his “clean” voice much more than this aggressive pseudo-singing. Perhaps, that’s why the closing track (“Regicide”), which features “clean” vocals (along with stunning female ones!), is my favorite off this CD. Besides afore-said, there’re more keyboards here, sublime and truly impressive, although they were somehow moved to the background – the thing I don’t like, since due to this fact synths sounds less exciting (this is the second and final shortcoming regarding this album). Musically, “Norwegian Native Art” is more varied than “Odin…”, hence if I had to choose, I’d pick up this one. (Herr Stalhammar)

EISREGEN
“Leichenlager”
Last Episode Productions
(provided by SureShot Promotion)
rating: 4 of 6
Hmm… Already a third from this German act… and I wouldn’t say I liked it a lot. You see, it’s all the same… Just listen to “Krebsolonie” and “Leichenlager” – you will find no more than few differences, that’s for sure. No doubts that EISREGEN contrived to stay highly original band, possessing the sound of their own… These violin-alike sounding keyboards (or is it a real violin??), grim though sometimes nearly sublime atmosphere, (almost) perfect sound and exciting, moreover – innovative, tunes… but there’re too much of them, you know. “Leichenlager” would be a masterpiece if it had lesser amount of songs… Anyway, if you’re craving for something original, intriguing and diverse, yet still 100% black metallish, get this CD. You won’t be disappointed. (Herr Stalhammar)

ENOCHIAN CRESCENT
“Omega Teloclovim”
Avantgarde Music
rating: 5, 5 of 6
Wow, I’ve just reviewed “Babalon Patrale De Teloclovim”, a mini-CD from this fantastic Finnish band, and here comes yet one more effort of theirs, also featuring the word “teloclovim” in it’s title (that’s a weird thing for me… at least, taking into account the fact that their first CD (1998) carries the name “Teloclovim”)! This album comes with nine songs of top-class black metal, composed and performed the way only ENOCHIAN CRESCENT manage to do. Great vocals (although the singer’s shrieks sound nearly funny on “Vakisinkastettu”), both black metal and “clean” ones, perfect arrangements (there’re no sublime orchestrations or majestic choirs here… these guys just don’t need all this crap) – and the word “perfect” also regards production and performance. All in all, despite all the rumours concerning this band, I’d say that ENOCHIAN CRESCENT contrive to put out undoubtedly outstanding piece of black art – and “Omega Teloclovim” isn’t an exception. Check out the song “Grey Skin” (the best one here), as well as their lyrics… they’re also stand against the background of all this “satan-winter-wolves-and-frost” shit. Just like everything that regards ENOCHIAN CRESCENT. A must! (Herr Stalhammar)

ESTATIC FEAR
“A Sombre Dance”
CCP Records
rating: 6 of 6
I have awaited this one for a really long time…! And, fortunately, ESTATIC FEAR managed to justify my hopes. Now the band actually consists of one man, Mathias Kogler (a.k.a. Calix Miseriae), while vocals (both, male and female), drums, flute, cello and lute have been performed by the guest musicians… Musically, this CD is more complex and less various (and that’s good, since “Somnium Obmutum” was TOO various) if comparing it to the older stuff. Vocals’ range remained the same: hateful black metal voice, heart-rending female vocals and growling soaked with melancholy… Now there’re more acoustics and flute parts which, I believe, sound much better – the same, by the way, goes for the Claudia’s voice, since her singing seems to be more impressive than the one by the girl who sang on “Somnium Obmutum” CD. Three years passed since the release of the first album by Mathias, however I doubt if this time was spent in vain. “A Sombre Dance” was worth the wait. All the lovers of extremely melancholic, tremendously fascinating stuff should get this CD at once. By the way, I’m strongly assured that “A Sombre Dance” will appeal to many black metallers  as well… (Herr Stalhammar)

GOD DETHRONED
“Bloody Blasphemy”
Metal Blade Records
rating: 6 of 6
Wow, this one seems to appear as one of the most perfect combinations of brutality and melody I’ve ever heard! While the former album (the second one in their discography and the first one from GOD DETHRONED in my collection) didn’t do anything for me, “Bloody Blasphemy” is actually a masterpiece. Starting with “Serpent King” track, featuring memorable refrain and harmonic vocals mixed with hellish screaming, fast and tight playing, being thoughtout structurally as well, it’s just perfect for an opening song. Later on we have few more innovations like female voice (occasionally), piano on “The Execution Protocol” as well as some keyboards – and despite the fact thousands of bands did it before, all of the elements mentioned above definitely sound innovative in GOD DETHRONED’s interpretation. Each track is memorable, with killer riffs, harmonies and leads, as well as overall performance. Style-wise, this is death / black (or more likely, black / death), however it stands so far above the majority of alike acts! I just can’t stop listening to this CD… seems like, along with “Nemesis” by SCHEITAN, it’s my favorite one at the moment. BUY THIS! (Herr Stalhammar)

GOREWINTER
“Buried By Night”
Meat Hook Productions
rating: 5 of 6
First release in the shape of CD from Meat Hook, I suppose? And it’s quite successful, indeed. GOREWINTER is black metal. Finnish black metal. And even though it (almost) lacks originality, I was rather impressed… Mostly fast+melodic+aggressive=GOREWINTER. Add splendid musicianship and the fact all of three songs represented here strike as very memorable ones, and you’ll see why I liked it. However; that harmony in track 2 reminds me a lot of “Twilight” by EDGE OF SANITY… and that refrain the last tune off this MCD has, also reminds me of… hmm, sorry, can’t recall at the moment. But the thing is, “Sanguine Acts” features something that was definitely invented by certain person aside from GOREWINTER. But ok, who cares if they’re not sooooo fucking oooooriginal? These guys contrived to create truly magnificent piece of black metal. And yes, by the way, the drummer is excellent, as are those (rare) synth parts. Highly recommended. (Herr Stalhammar)

GORGOROTH
“Incipit Sathanas”
Nuclear Blast Records
rating: 5 of 6
Yeah, this is GORGOROTH. The sound is, as always, raw, although you know that it was done on purpose, vocals range from inhuman shrieks to (nearly) magnificent “clean” voice (no pseudo-viking chants, though); furthermore Infernus and co. added few keyboards parts here and there, as well as some industrial elements (a-la DEUTSCH NEPAL and MORTHOUND, you know)… And yeah, Gaahl of mighty TRELLDOM appears as the lead vocalist. Good. At least, musically this is a huge improvement. (Herr Stalhammar)

GRABESMOND
“Xenoglossie”
Draenor / Napalm
rating: 6 of 6
This is a different thing to “Mordenheim”, a first work by GRABESMOND. “Xenoglossie” appears as a strange mixture of medieval, sometimes pseudo-baroque tunes and a bit industrialized hymns of modern torture, featuring various samples and sequenced drums… The atmosphere “Xenoglossie” is impregnated with is utterly weird, to say the least. How about fancying DEUTSCH NEPAL with medieval flute, huh?! That’s what GRABESMOND grant you… Bewitching. (Herr Stalhammar)

GRAVEWORM
“As The Angels Reach The Beauty”
rating: 4, 5 of 6
Serenades Records
What a stupid title for the CD! However, the album itself is good… more likely, really good. As far as I remember, GRAVEWORM’s previous work in the shape of “Underneath The Crescent Moon” MCD appeared as truly stunning effort… and that “How Many Tears” cover nearly made me get high on it… I expected great things from this Italians… well, speaking honestly, their newest CD didn’t disappoint me, however I was waiting for something much more intriguing and innovative. “Good” always will be an antonym for “great”, and we have exactly such a situation here. It’s very good album, featuring some top-notch black / death with some heavy metal elements, brilliant “Dolby-surround” keyboards, powerful vocals and so on and so forth, BUT. I expected a masterpiece, or at least the sort of album which can get no less than ‘6’ of ‘6’. This one – can not. (Herr Stalhammar)

HIMINBJORG
“In The Raven’s Shadow”
Red Stream Records
rating: 4 of 6
More Norse-inspired black metal, although I doubt if this band comes from Scandinavia. Anyway, this is good effort, atmospheric, well-played and exciting, featuring almost inimitable howl-alike pseudo-viking voices here and there. What’s most strange, this CD gets better in the end, with tracks like “Dream Walker” or “The Voice Of Blood”. There we have splendid guitar leads and organ-keys in the background… All in all, this is a worthy substitute to HIMINBJORG’s former CD, even though the sound quality here is far worse (don’t ask me why). (Herr Stalhammar)

HOLLENTHON
“Domus Mundi”
Napalm Records
rating: 5 of 6
Weird CD. Comprised of such people as Martin Schirenc on vocals, guitars, bass and keyboards (PUNGENT STENCH), his either sister or wife Elena on female vocals and finally Mike Groeger (better known as Silenius of SUMMONING) on drums, HOLLENTHON seems to be an “all-star band”… just like RAVENTHRONE, for example. And you can’t be wrong with suchlike conglomerations. Well, HOLLENTHON definitely stands apart from most of contemporary black metal bands, since their music is too strange and unpredictable to be reckoned to “black metal mainstream”. I believe, it was some kind of an experiment… just like HEIDENREICH, latest ODHINN, PECCATUM and others of that ilk. I.e., so-called “avantgarde BM” acts. Well, perhaps, not exactly “avantgarde” – but “progressive” for sure. Fortunately, “Domus Mundi” is quite easy to listen to, despite all of it’s progressiveness. What mainly differs this band from the ones mentioned above is the wide use of various oriental instruments and melodies, as well as some medieval stuff a-la GOLDEN DAWN. Generally speaking, this is very interesting effort, so check it out. (Herr Stalhammar)

IN AETERNUM
“Forever Blasphemy”
Necropolis Records
rating: 2 of 6
Extremely boring Swedish black metal. Well played, well produced. Nothing more to say. (Herr Stalhammar)

LAHKA MUZA
“Sen Ohraniceneho Zivota”
Sonicca L.t.d.
rating: 6 of 6
First of all, I don’t even know how to define this band. Am I right or wrong putting this review in “black metal and related stuff” section? Both, I guess. Firstly, LAHKA MUZA could be a synonym for darkness. True darkness. When there’s no exit, no light in the corridor’s end, no hope left, just nothing. All the eight… songs? No. Tracks? Nope. Creations is a better word, I guess. All of them absorb you, enshroud and drown you in the ocean of pain… suffering… the utter decline… Gudrun’s voice, similar to that of shaman, howl-alike, somehow making me to recall Diamanda Galas (???), only forces the atmosphere from the it’s very first sounds – and till the end. I don’t know what could I say regarding this Slovak band style-wise… Perhaps, this offering may be defined as a sick mixture of extremely somber goth, ambient and dark industrial… I can’t tell you anything on the subject of their (there’re only two individuals in the band, Gudrun and 677) beliefs (I hope to find it out in the forthcoming interview, though), hence I’m still uncertain either to reckon ‘em to “black metal / ambient / dark industrial” horde or not… but who cares… The music speaks for itself – and it’s even darker than SKEPTICISM… weirder than DEUTSCH NEPAL and THE MOON LAY HIDDEN BENEATH A CLOUD… more somber than AKHENATON and others of that ilk… Those who contrived to create such a canvas can’t follow any god of light. Nevermind… this is absolutely astounding effort. Remember these words of mine when choosing what CD to order this weekend. (Herr Stalhammar)

LET ME DREAM
“The Maze”
Nocturnal Music
rating: 5 of 6
We have two bands whose name starts with ‘l’ and has the word ‘dream’ in this issue… however LET ME DREAM stands so high in comparison to LOST DREAMS! This CDS definitely is a pleasant surprise, perhaps mostly thanx to the fact of inviting new lead singer, Tuukka Koskinen, whose voice is incredibly stronger than Marko’s (especially when it comes to the “clean” vocals). I really appreciate this dark, low-pitched singing… as well as black metal voice, which is present here as well, being much more furious than ever before! Furthermore, one more person joined the band in the shape of second guitarist (namely Juhana Stolt). LET ME DREAM undoubtedly stays one of the leading dark metal bands in Finland, in the same time reaching the borders of black metal… moreover, trespassing it! “The Maze” is only a single CD, whose main purpose consists in promoting the second full-length album by LET ME DREAM (check out the review below)… If you’d like to get any additional info, here it comes: this CD includes “The Maze” and “Into The Deep Blue Sea” as well as few tracks recorded live (“My Dear Succubus” and “Wolfborn” to be exact) and the new tracks undoubtedly everything these guys have done so far… (Herr Stalhammar)

LOST DREAMS
“Reflection Of Darkness”
Lost Dreams Records
rating: 2 of 6
When I asked the band to send me this MCD, I was definitely expecting for much more impressive effort… Well, “thanks” to Black Tears’ newsletter once again. I have never read such confusing reviews as the ones by Daniele. He defined my band (ROSSOMAHAAR) as fast melodic death metal in the vein of early NIGHTFALL and SEPTIC FLESH, while all those who have heard it, described our CD as a mixture between latest BEHEMOTH, DARK TRANQUILLITY and EMPEROR! As to LOST DREAMS, Daniele wrote the following: “A great debut from Austrian band LOST DREAM (and what about adding ‘s’-letter to the word ‘dream’, eh? – ED)! This MCD is self-produced, with very good layout, extreme great artwork inside the disk, and a complete interactive page to show very professionally the band. This MCD is titled “Reflections Of Darkness”, and contains five tracks, plus CD-ROM track. This five-piece plays melodic sympho-death. They remember me something about gods GRAVEWORM”. Yeah, yeah, yeah… Whatta mess! Let’s go straight by discussing each statement. First of all, it’s not a “five-piece”, there’re seven persons in the band! Secondly, the layout and artwork are both good, however I couldn’t discover anything special there… The music is quite raw and definitely incomplete mixture of death and black metal, somewhat reminding me of CRESTFALLEN (remember such a band?) as well as early works by ANCIENT CEREMONY. I wouldn’t dare to say that it has any “sympho” elements, no. Only some keyboards here and there… The sound is not bad, although in order to reach anything, these guys have to: a) find a better studio (or, more likely, to purchase better equipment, since I guess it was their own home studio where this MCD was recorded at) and b) improve their skills, since, even if they’re rather good musicians, it’s not enough to reach the Parnassus… Furthermore, few words regarding that CD-ROM track… It’s sort of live video which didn’t impress me at all. To call yourselves a black metal band you have to BE a black metal band, at least on stage. Sorry, guys, maybe next time… (Herr Stalhammar)

MALIGNANT ETERNAL
“Alarm”
Napalm Records
rating: 5, 5 of 6
Excellent effort from one of my favorite Norwegian bands. This is their third full-length album to date and also their best, at least that’s what I think of it. “Alarm” differs a lot from all of it’s predecessors in terms of both music and lyrics. First of all, it’s faster, more brutal, featuring much more synths, this times performed on a more electronic matter (well, in the end “Alarm” almost turns into grim form of a black / industrial mixture, at least with tracks like “Enigma II”). Don’t remember exactly if the former albums featured programmed drumset, but this time it’s definitely a computer spawn, however MALIGNANT ETERNAL only gain by it… perhaps, due to the fact that it was programmed in a very correct, sage… and twisted way. Just like “Onwards Into Battle” by BLOODTHORN and many other albums reviewed this issue, “Alarm” also has that “Dolby-surround” effect when it comes to the whole sound, making it (guess what?) more powerful, completely covering the listener with a musical shroud until the album ends… Excellent. (Herr Stalhammar)

MEPHISTOPHELES
“Songs Of The Desolate Ones”
Last Episode Productions
(provided by SureShot Promotion)
rating: 5 of 6
“Kurgan Supremacy”, “Moldavian Fires”… I was close to start considering this band Moldavian due to such song titles and the fact that I was completely unable to figure out the bandname out of logo… however when I opened the promo sheet which came together with the CD, I knew it was MEPHISTOPHELES, the band which doesn’t have anything to do with Moldavia – simply because they come from Germany. And it’s their second effort, by the way… Long time ago I reviewed “Landscape Symphonies”, the album they made their debut with, and as far as I remember, it got nearly the highest rating. Well, everything’s the same with “Songs Of The Desolate Ones”. Top-class black metal, well-played and well-recorded, featuring memorable passages and stunning arrangements (by the way, the choirs were sung by… BLIND GUARDIAN vocalists!)… not that original, although lacking any commercial stuff in the same time. It’s fast, sometimes mid-paced, with melodic yet aggressive guitars… true black metal effort. Great album from a magnificent band. The only shortcoming goes for the fact that “Songs Of The Desolate Ones” lacks such killer tracks as “Infinite Dreams”… (Herr Stalhammar)

MOON
“Satan’s Wept”
System Shock
(provided by SureShot Promotion)
rating: 6 of 6
Why does the image of the moon obsess us that much? Who knows… “Satan’s Wept” is a second CD by this band; the one formed by Cezar, who’s also the mastermind behind CHRIST AGONY. This time he’s being supplemented by Blackie on bass and backing vocals, Heyron on guitars and Mark behind the drumkit. Well, in fact it’s not Mark but a drummachine, however the drum tracks sound stupendous, so it doesn’t really matter… First of all, I must admit that “Satan’s Wept” possesses undoubtedly killer artwork and layout, so in terms of appearance this is the best CD I’ve got from System Shock that evening. Musically, it’s a perfect continuation of “Daemon’s Heart”, although “Satan’s Wept” doesn’t appear as a copycat of the former CD by MOON. Hey, Cezar managed to improve every single thing, man! This album features absolutely tremendous leads which only adorn the musical canvas MOON offers us with this piece… piece of unholy art, sort of furious BM spiced with few heavy metal elements, astounding “synthetic movements” and those unforgettable vocals – Cezar’s voice definitely can’t be confused with anyone’s else. I was listening to all the twelve tracks with bated breath; moreover, some kind of a supreme force made me to play this CD all over again and again. Furthermore, “Satan’s Wept” comes with a video clip on “Satanica”, and believe me, it’s worth watching! Besides the fact that this song is a pure jewel itself, you’ll surely be knocked down by brilliant computer graphics it’s packed with… Generally speaking, MOON have returned with yet one more splendid work of theirs, and you’d better don’t miss it! A masterpiece. (Herr Stalhammar)

THE MOON LAY HIDDEN BENEATH A CLOUD
“The Smell Of Blood But Victory” / “Rest On Your Arms Reserved” (1997 / 1999)
Arthur’s Round Table
rating: 6 of 6
I don’t know why am I writing this review… it seems to me to be ever more difficult than the one on A.C.T.U.S. This Austrian duo’s efforts should be listened to, not described, although both CD’s are harder to get into, than “Sacro Sanctum”. “The Smell Of Blood But Victory” comes in the shape of a double-CD (the first one is 60:14 long, the second one – 29:36) with no names given to the tracks. In fact, this duo is unorthodox when it comes to everything – as I already said, they refuse to entitle their creations; and it’s some kind of a visual side. Musically, it consists in quite successful attempt to combine Europe’s medieval folklore with XX century mechanics and industrialization. As a result we have two albums (the new one, which is actually more likely a compilation, seems to be even weirder) that balance on the edge between genius and insanity, madly heart-rending art comprised of mostly archaic moves, shamanic melodies and evocations, mixed with diverse loops and samples’ stuff. It strikes as these works are most eclectic in THE MOON LAY HIDDEN BENEATH A CLOUD’s discography, this time even more anxious and militaristic in the same time. Furthermore, everyone can hear the Russian speech in few compositions, while Ukrainian traditional “Raspriagaite, hlopzi, koniv” even appears as the single track. The newest CD (this time a bit shorter when it comes to duration… all in all, 58 minutes) comes with 15 tunes that may drive many of us utterly insane. If you doubt my words, listen to “Were you of silver, were you of gold”… Meet you at the asylum. The medieval one. (Herr Stalhammar)

MOONSPELL
“The Butterfly Effect”
Century Media Records
rating: 6 of 6
Oh, whatta mess! I mean, those who became freaks on “Sin” (the former CD by MOONSPELL) due to the fact that it was lovely gothic rock, should get fucking embarrassed while listening to this one! Let’s hail all the supreme forces that ever existed since MOONSPELL managed to get rid off (almost) all the commercial influences. “The Butterfly Effect” begins with the “Soulsick” track which heavily reminds me of their side-project, DAEMONARCH, being anxious and atmospheric mixture of industrialized dark wave and sympho-black metal. The same goes for “Butterfly Fx”, as well as “Lustmord” and  “Selfabuse”, the best tunes off this magnificent effort (while tracks like “Can’t Bee” (killer!), “I Am The Eternal Spectator”  and “Disappear Here” are more likely done in the vein of the best songs off “Sin” CD). It seems like MOONSPELL contrived to reach the greatness of their early works, such as “Under The Moonspell” and “Wolfheart”, in the same time bringing in something new. At least, now they sound totally different from both, “Wolfheart” and “Second Skin” / “Sin” eras – but also similar, combining all the best they ever created, adding new elements, almost vanguard-like at times. Such are the bass and drum tracks in few songs, such is “K”, the instrumental track which is the last one on “The Butterfly Effect”. The black metal voice is back (even more vicious now!), while “clean” vocals seem to be hugely improved. Keyboards and various samples create undoubtedly weird atmosphere, while all in all, being rather experimental, the music on “The Butterfly Effect” is also brutal. The lyrics featured on “The Butterfly Effect”, no doubts, appear as most weird and depraved among those Fernando ever spawned… How do you like the following lines: “Let me exaggerate you / Distort you from inside out / Love you by different rules / Fuck you up to your soul”… “On my knees now / I’ll inflict myself / Some real love / On my knees now / I’ll choke myself / In troubled love”… “I will insist on you / Until you become the Truth / I will decay with you / Until you become the Ruin / Let me celebrate here / Now that nothing is left of you”… “Where’s this small dead hand that creeps me / I am biting it to it’s very bone / Collapsing with everything new on me / Until it get so very old”…?! The only weak point here is the lack of memorable songs (perhaps, with an exception for “Soulsick” and “Can’t Bee”) – they’re TOO varied, TOO avantgarde (of course not all of them, but few) to become new “Opiums”, “Wolfshades” or “Ruin And Miserys”… Anyway, a great effort. Let me say sorry for accusing this band in becoming commercial crap as I did in the “2econd Skin” review. (Herr Stalhammar)

MORTIIS
“Crypt Of The Wizard”
Earache Records
rating: 4 of 6
Obviously, this is a re-release of the 1997 CD carrying the same title. Now available through Earache… yeah, sure, that’s no surprise, since Mortiis signed a deal with this company some time ago and already managed to release an all-new CD, “The Stargate”… Yeah, “The Stargate” was truly a magnificent effort – in contrast to this one. “Crypt Of The Wizard” in fact is a collection of tracks taken off limited edition twelve inch singles. Musically, it’s hundred times more primitive and uninteresting if comparing it to the latest works by Mortiis, however it’s quite exciting at times. In short, rather low-tech ambient which could sound much better if recorded on a better equipment with more imagination used. This CD includes ten tracks, and while most of them appear as quite mediocre, such tunes as “Davi Bygde Tarner (When We Raised The Tower)”, “I Morket Drommende (In Darkness Dreaming)” and “Fanget I Krystal (Captured In Crystal)” strike as something I really like. At least, these ones feature much more intriguing melodies, thus making better soundscapes out of them. Good album – and, of course, a-must-to-have for all the Mortiis’ fans. (Herr Stalhammar)

NAKED LUNCH
“Everything Dies”
Bat Lake Musik
rating: 4, 5 of 6
William Burroughs lives again, heh heh… Well, honestly speaking, this CD made me truly confused, since I couldn’t really decide either I should place a review on “Everything Dies” in “black metal and related music” or “other stuff” section. Well ok, I chose the first one and you may curse me if you’d like to, claiming NAKED LUNCH to be a purely industrial act… Yes, it is, weird and brutal industrial stuff, with sombre atmosphere and black metal voice as well as “gothic” one, reminding me a lot of KAVIAR KAVALIER and MORPHINE ANGEL. Yes, “Everything Dies” features plenty of gothic / dark wave elements and it sounds strange, no doubts, especially the way Mxyzptlk (vocals, guitars) (what a handle…!) and co. combine all this shit together! The CD begins with the song “Wonderful”, which is one of the best ones off “Everything Dies” to show you this somewhat nearly unique combination. The second one, “Continue To Breath”, is more on a psychedelic side, also with a bigger amount of various electronics, being one of the most weird tunes here. Besides these ones, I’d like to mention “Transmission”, a cover of JOY DIVISION, “Confess: Everything Dies”, “Lady And The Vamp” and “Undone” which are among the best tracks on this album. Produced by Grammy award winner, Neil Kernon, who worked with such dudes as SKREW, Peter Gabriel, QUEENSRYCHE and DOKKEN, “Everything Dies” sounds almost amazing when it comes to producership and sound quality in general… I guess, it’s the kind of CD you should give at least a couple of listens to get into it… And no, there’re absolutely no death metal parts as many reviews say! (Herr Stalhammar)

NOCTURNAL WINDS
“Everlasting Fall”
Aftermath Music
rating: 2 of 6
WHEN WILL IT END??? Tell me now, since I can’t stand this anymore. This either Finnish or Norwegian band plays melodic, mid-paced, although sometimes really fast form of black metal… Nothing new, nothing exciting and totally boring. Yeah, they’re not bad as musicians (unfortunately, I can’t say the same regarding production), and there’re few good melodies, but so fucking what?? You can’t really imagine how I’m tired of these mediocrities! Sorry guys, but if you send me the CD it doesn’t necessary mean I’ll praise it to the skies! Remember that. (Herr Stalhammar)

OBSIDIAN GATE
“The Nightspectral Voyage”
Skaldic Art Productions
rating: 5 of 6
You should listen to this CD, my precious reader, and you’ll understand that there’re better bands than LIMBONIC ART. What’s most strange with this effort, it almost lacks any originality, everything seems to be rather typical, however I simply can’t drag it into shit… Why? Well, maybe because these guys (and girls) are sincere in what they do? Also, perhaps, due to the fact that these Wagnerian orchestral arrangements by Daniela sound brilliant… much better than Daemon and Morfeus (those, from LIMBONIC ART) will ever manage to compose. In short, this is very good symphonic, 100000 times orchestrated black metal with a nice-sounding drummachine (hmm…) and (surprise!) powerful guitar sound (well, the sound in the whole is also very good)… Splendid CD. (Herr Stalhammar)

OLD MAN’S CHILD
“Revelation 666 (The Curse Of Damnation)”
Century Media
rating: 5 of 6
Yeah, this is OLD MAN’S CHILD. Perhaps, a bit more intense and less heavy metal-oriented (as well as less “commercial”) than “Ill-Natured Spiritual Invasion”, this time recorded at the Abyss Studios. Furthermore, “Revelation 666” features Galder being supplemented by Jordar (guitars), Memroch (bass), Animar and Hoddy (drums). (Herr Stalhammar)

OPETH
“Still Life”
Peaceville Music
rating: 6 of 6
OPETH always was the kind of band I deeply respected and adored. Well, I don’t really know if I should praise yet one more masterpiece by these Swedish geniuses. “Still Life” is closer to “Morningrise” than to “My Arms, Your Hearse”, bringing a bigger doze of that inimitable “clean” voice by Mikael Akerfeldt (as well as some growling and black metal voice, also performed by him), more acoustic parts and variety in composition structures. Nevertheless, “Still Life” isn’t even a bit less heavy in comparison to the older efforts by this band, remember that! OPETH are one of the few bands left who stayed true to themselves, however they are not into self-plagiarism at all, creating better and better works with time instead. If you’d ask me ‘bout the most exciting tunes “Still Life” has to offer, these are “The Moor”, “Moonlapse Vertigo” and “Face Of Melinda”. And in the end, let me give you a little advice: never think twice before buying a masterpiece! (Herr Stalhammar)

PAGANUS DOCTRINA / PSEUDOSTRATIFFIED EPITHELIUM
“Ascesis Al Uno Primigenio” / “Sinistrous Necromanica”
American Line Productions
rating: P. D. – 4 of 6
             P. E. – 3 of 6
This is a split-CD by two black metal acts from Costa Rica… Wow, black metal truly is a disease plaguing more and more countries… I won’t be surprised if there’re black metal bands in the North Pole, for example… Perhaps, they even have some kind of Inner Circle over there, ha ha! Ok, back to this CD. PAGANUS DOCTRINA is not bad (in spite of the shitty recording… although it was done back in 1995, so…). Their style is fast-paced black metal with pleasant guitar leads and absolutely inhuman shrieks with few keyboards spicing the music here and there. This band somehow brings back the nostalgia, you know… Right after you’ve listened to it, you recall those ancient days, when BM was a strictly underground music for the few “chosen ones”… Ooh… it was so long ago! The second band, PSEUDOSTRATIFFIED EPITHELIUM (brrrrrh! Try to spell this name at once!), is closer to death metal, death metal in a South-American way, though. They’re fast, musically rather typical, writing utterly sick lyrics, incorporating acoustics and violin into their sound – however, it was done already by such bands as ARGENTUM or TENEBRARUM, so I wouldn’t define it as innovation. Something tells me that both bands will stay totally underground until they die, but it’s something that contemporary black metal scene lacks at all, so… Check it out. (Herr Stalhammar)

RAKOTH
“Planeshift”
code666 Records
rating: 5, 5 of 6
This is the first release by code666, the newborn Italian label, and also the first effort from RAKOTH which (I hope so!) can be obtained worldwide… And yeah, it’s their most successful work so far. “Planeshift” comes in the shape of digipack CD, being comprised of ten songs. Well, actually, it’s still RAKOTH, the one who can be distinguished from others by the sound strictly of their own. Label describes ‘em as “dark fantasy metal” and I believe this definition is one of the best human mind may conceive… Yes, it’s dark (and somewhat tremendous… even romantic at times) metal, bearing the mark of BM, although no one would ever dare to say that RAKOTH is 100% black metal act. Yes, it’s “fantasy metal”, since most (if not all) of the lyrics are based on fantasy-genre books by various authors, mostly by Nick Perumov (whom I respect more than much, by the way…). To give you a hint about the way they sound: it’s melodic and bewitching, emotional yet obscure (especially, if talking about tracks like “Mountain God” – the most sombre tune off this CD) metal, featuring incredibly strong “clean” voice by P.Noir and black metallish shrieks by Rustam (also on keyboards and drumsprogramming), mixed with enchanting flute parts and fascinating harmonies… Be sure that THERE IS NO OTHER BAND LIKE RAKOTH! They contrived to create their own sound and concept, moreover – they made it in a truly exciting way… You see, you just can’t stop listening to this album after you play it in your stereo. Magnificent effort and a very good piece for code666 to start with. A MUST. (Herr Stalhammar)

RHYMES OF DESTRUCTION
“A Sun Revolution”
Shiver Records
rating: 5 of 6
I wonder when will I get a pro-recorded CD from Shiver? I hope it will happen before the year of 250000000000 takes it’s place, anyway. Ok, here’s a new recording from Belgium’s RHYMES OF DESTRUCTION, recorded in a bit better way in comparison to their former effort, although still (almost) horrible. Nevertheless, RHYMES OF DESTRUCTION is, no doubts, innovative band, while “A Sun Revolution” is one of the most interesting works I’ve heard lately. It’s black metal, yes. Twisted, original, impressive and diverse. Unfortunately, the vocals-mix is (nearly) awful and that programmed drumset sounds irritating, but who cares if the music in the whole kicks ass? Want me to describe what the hell is this band all about? You ask in vain. I never will, simply because I can’t do that. The only thing I can tell ya: this four-piece delivers highly original artistic black metal. And read my lips: “artistic” doesn’t mean neither trendy nor brainless (noise). Highly recommended. (Herr Stalhammar)

RIGER
“Hamingja”
CCP Records
rating: 5 of 6
How ‘bout mixing NOCTURNUS (or any other synth-spiced death metal) with, for instance, MYSTIC CIRCLE, huh? We’ll get RIGER, I believe. This is one of the most successful windfalls among those whom CCP have signed lately. While their debut work showed us some kind of powerful death metal packed with few BM influences and massive wall of keyboards performed the way sympho-black metal acts usually do it, “Hamingja” turns everything into it’s contrary, hence what we have now is BM mixed with some death metal. And I won’t say this change is for good. No doubts, “Hamingja” appears as highly impressive and exciting piece, however I liked the former style-combination more than this one. Anyway, this CD should be reckoned to “highly recommended” kind! (Herr Stalhammar)

RINGNEVOND
“Nattverd”
Edgerunner Records Intl.
rating: 4, 5 of 6
This is a debut for both, the label and the band, and I must admit it strikes as quite impressive piece. I haven’t heard pure Norse black metal for ages and that’s what this young Norwegian combo performs. And don’t get me wrong, “Nattverd” doesn’t have anything to do with ILDJARN-alike monotonous buzz; it’s intriguing and atmospheric stuff with actual thought put into each song, sounding a lot similar to “For All Tid” by DIMMU BORGIR at times (huh, even the studio is the same!). The sound is good, although I wouldn’t say it’s perfect, however I don’t think it should be considered a shortcoming. Furthermore, there’s a drummachine instead of human drummer, but it’s not a drawback either. The word “crap” might go well for those annoying pseudo-falsetto vocals – even though low-pitched voice doesn’t sound much impressive here… it’s kinda “relief”  for your ears after you have heard that King-Diamond-wannabe attempt. But ok, generally speaking, this is good atmospheric black metal  coming from the Scandinavian fjords – nothing really special, though. (Herr Stalhammar)

SABAOTH
“Windjourney”
Icarus Productions
rating: 6 of 6
Hey man, it looks like Icarus Productions is one of the most successful labels at the moment, at least judging by the CD’s they’ve sent me this time! Have you ever received three albums simultaneously, later discovering that all of them are not only good, but fucking excellent?! Ok, now we have SABAOTH here, the band of Paraguay’s origin, emerging from the deepest darkness with the second offering of theirs. First of all, I must admit that they don’t have anything to do with South America in terms of sound… nor with Europe, though. This duo contrived to invent the sound of their own, which can’t be reckoned to anything. “Gothic black metal” is too weak description, you see… “Windjourney” starts with “The Thorn And The Relief”, an instrumental tune, almost ethereal one… and ends the same way, with “The Windjourney”. Other tracks appear as somewhat unreal, celestial and inimitable Atmosphere, spiced with hateful yet tranquil black metallish voice performed by Zethyaz, weightless synthetic structures by The N (who’s also responsible for excellent drum tracks). Guitars float in space, being supplemented by incredibly impressive “clean” vocals and unique ambience… By the way, the word “unique” may be also regarded to this album’s appearance; I mean, design, artwork and layout. Ok, it’s time to finish this review and I still can’t compare them to anyone? However, should I…? SABAOTH is SABAOTH, that is it. (Herr Stalhammar)

SCHEITAN
“Nemesis”
rating: 6 of 6
An album of the issue, no doubts! I got high on SCHEITAN’s former effort, “Berzerk 2000”, but this one is even better! In fact, it’s some kind of a “dark rock’n’roll”… and it’s the rare kind of a case when I’m glad that a band got rid of black metal sound-wise. It’s melodic, energetic yet somewhat brutal stuff packed with male black metal shrieks and female voice. And let us not forget the fact that each – yeah, each fucking song is as memorable as  your visit to the tax police office! Actually, I’d divide this album into 2 parts: the first one consists of some kind of… erh, a mixture of black metal and rock’n’roll (the one which will force some of you to… dance), while the second one appears as alternative rock / goth sounding ballad-alike tracks featuring strictly female voice (and yes, this girl possesses definitely an unusual timbre…) I believe, SCHEITAN doesn’t pretend to be reckoned to the BM horde anymore, otherwise Pierre and co. would be hanged by their balls, heh heh! Oh goddammit, I hate this review! I keep on praising this magnificent piece, while you seem to think it’s pure crap, aren’t you? A masterpiece, anyway.
P.S. Wondering why didn’t I put the label’s name above the rating? Well, I don’t own neither original nor promo CD – “Nemesis” was given to me by a friend of mine… in the shape of CD-R lacking any info. (Herr Stalhammar)

SEA OF TRANQUILLITY
“The Omegan Ruins”
Cursed Productions
rating: 3 of 6
SEA OF TRANQUILLITY? Did they want to say, DARK TRANQUILLITY??? Anyway, this is much worse than f.ex. ADVERSARY, another CD I’ve received from Ray and Cursed Productions this time. You see, the sound is good. The music is good. The musicians are good as well. The layout is good (maybe even more than that). Everything is good… with an exception for this album’s length. It lasts for 66 minutes, however it seems to last for eternities! I was writing some reviews, then having sex with my girlfriend, absorbing a couple of beers… and this CD still didn’t seem to end. Never. When I gave a listen to “When My Dreams Become Reality”, “Landscapes Painted In Blood” and “Self-Fragmentation” (the best track off this work), the first three tunes here, I almost liked it… Kinda melodic yet brutal mixture of black and death metal with few Gothenburg-school influences… but later… Aaarrghhh! Pure torture. An earache. If they shorted “The Omegan Ruins” to at least 40 minutes, it could get ‘5’ of ‘6’… As a conclusion: this is worthy band, BUT! MORE VARIETY, MORE ATMOSPHERE AND LESSER AMOUNT OF SONGS is a necessity!!! (Herr Stalhammar)

SEPHIROTH
“Cathedron”
Cold Meat Industry
rating: 5, 5 of 6
What else could we expect from Cold Meat Industry? Yep, here’s one more piece of dark ambient. As always with the bands signed to this Swedish label –  tremendous. Everything was done by one man only, namely Ulf Soderberg, however it’s no surprise to me – such kind of music rarely demands enlarged lineup. One or two men, usually… Rarely more than that. “Cathedron” consists of six anthems to darkness… and it’s really hard to say anything else. March-alike, hymn-alike, what-the-hell-alike… shit, I don’t know. It’s “just” excellent piece of ambient in the vein of A.C.T.U.S. and early RAISON D’ETRE, in the same time reminding me of MORTHOUND. Excellent. (Herr Stalhammar)

SHINING OF KLIFFOTH
“Twilight Of Sehemeah”
Last Episode Productions
(provided by SureShot Promotion)
rating: 5 of 6
Here comes a first full-length CD from SHINING OF KLIFFOTH, a band which should be of interest to you just because it’s lineup features Christof Niederwieser (KOROVA, ANGIZIA) and Evgeniy (BLACK MESSIAH)… Well, not an all-star band, of course, however I sincerely believe that everyone (yeah, EVERYONE) into black metal should check it out only because of Christof’s participation. He’s extremely talented composer as well as a great musician, and I guess that’s the reason why this CD strikes as definitely astounding piece. It’s rather difficult to describe SHINING OF KLIFFOTH’s style in few words… kinda orchestral black metal (far from being “sympho-black”, though!) with plenty of vanguard elements. No, it doesn’t have anything to do with KOROVA as you could think! It’s just… different. What I like most, each instrument seems to be the leading one, the sort of thing I consider quite rare, especially when it comes to BM. There’re plenty of various singing styles here, from usual black metal voice to high-pitched screaming, from those easily recognizable “clean” vocals by Christof to barryton-alike voice… as well as certain growls, which get the leadership on the track “Purgatory” (even though, those voices on “The Rose Of Clotted Light” sound somehow irritating…). Generally speaking, in musical aspect this is very impressive, diverse and innovative CD (lots of skillfully played solos and tempo changes, unusual-sounding and incredibly powerful drumming… should I go on with all these praises? I guess not), while lyrically… hey, they sing in four languages simultaneously! English, German, Italian and… guess what? Yeah, Russian! Looks like those involved in black metal in Austria also get high on my native language… and I still can’t really understand why. However, we have distracted a bit. I have one more thing left to say In regards to lyrics featured on “Twilight Of Sehemeah”… as you already probably figured out yourselves, they deal mainly with occult subjects, although it might be interesting to know that four tracks out of eleven are based on Dante’s “Divine Comedy”… (Herr Stalhammar)

SKEPTICISM
“Aes”
Red Stream Records
rating: 6 of 6
Here comes the second MCD from this unique Finnish act… In fact, “Aes” is a one-song-album. It features one single track that lasts for all eternities… or, to be exact, for 28 minutes… nevertheless, it never becomes boring and when it ends you’re still craving for more. For those who do not know yet what I’m talking about, SKEPTICISM perform the sort of music that is somewhat similar to that of ESOTERIC and, perhaps, UNHOLY. It’s as extremely slow as atmospheric and grim. Those who think of committing a suicide though still don’t know if they should do it or not, listen to SKEPTICISM – and you’ll get the only right answer: “yes”. Is it certain supreme force that helps them to create all their efforts? I can’t believe that it were just few homo sapiens who managed to unleash such a perfect grimness… (Herr Stalhammar)

T666
“Troops Of Satan”
T666 Deathmetal Company
rating: 6 of 6
This is rather new bandname to my ears, however these neophytes managed to create quite excellent piece of the Black Art. T666 is a foursome playing orthodox unholy death metal heavily reminding me of early DEICIDE, while vocals are those, more of CANNIBAL CORPSE. You won’t find anything new or special while listening to this (oh so short!) MCD, however one might definitely enjoy it, the one who cares less of originality, making emphasis on sheer brutality and hatred trasformed into musical canvas. Well, anyway, I like it a lot. “Troops Of Satan” features three tracks (“Comrades In Slaughter”, “Execute All Christians” and “Smash The Cross”) with brilliant sound and rather stupid lyrics (so what?) and will appeal to all the lovers of such stuff as SINISTER, DEICIDE, VADER and alikes. By the way, you’re wondering why did I include this review in the “black metal” section? Everything’s utmost simple. I reckon T666 to so-called “true death metal” – and in my view, this movement has much more in common with BM than “modern” death metal, such as DESULTORY. Of course, there’re lots of bands who are true to their beliefs, like ASPHYX, FLESHCRAWL or INTERNAL BLEEDING, however they don’t have 500% antichristian message behind ‘em.
Here’s the email address of the band as well as their URL, so that you could contact ‘em personally.
Email: info@T666.com
WWW: www.T666.com
(review by Herr Stalhammar)

TARTAROS
“The Red Jewel”
Necropolis Records
Rating: 4 of 6
A bit weird-sounding black metal similar to that of EMPEROR (1997 – 2000 era), also being somewhat close to the latest reincarnation of CARPE TENEBRUM. Rather good and sometimes exciting, however I doubt if will this CD a re-listening session too soon… (Herr Stalhammar)

TERROR 2000
“Slaughterhouse Supremacy”
Scarlet / BL Music
rating: 4 of 6
Speed Strid strikes again, heh heh! Here we have one more neophyte act spawned by conglomeration between two famous Swedish bands’ members, such as SOILWORK and DARKANE. Guess what kind of stuff they have prepared for you? Yep, it’s violent thrash / black metal with inimitable vokills by Strid, furious riffing cascades, hammering drums, raw and torturous atmosphere as well as influences taken from (early) AT THE GATES, (early) ENTOMBED as well as Bay Area thrash… If this is what modern thrash metal should sound alike, I don’t mind. I only hope there will be more bands like TERROR 2000, than untalented kids unable to handle their instruments, playing crap like CRANIUM or DESEKRATOR. (Herr Stalhammar)

THROES OF DAWN
“Binding Of The Spirit”
Avantgarde Music
rating: -
Oops. Some time ago I’ve got two CD’s from Woodcut, one of them by THROES OF DAWN and second by THYRANE. Few issues after we have the same picture, differing only when it comes to record labels. THYRANE (see below) still collaborates with Woodcut, whilst THROES OF DAWN is now signed to Italy’s Avantgarde Music. Well, it’s really hard to say anything concerning this CD, since it looks like I told you everything I wanted to while reviewing their previous effort… “Binding Of The Spirit” is recognizable, yet far from being original, Finnish black metal, melodic and simultaneously – aggressive, mostly mid-paced, synth-spiced… well, not only “spiced”. It’s totally soaked with synthetic atmospheres, however (thanks god in hell) the sound in the whole is still based on (powerfully sounding) guitars. Production is excellent, musicians know what they’re doing and the same goes for singer, occasionally using (quite pleasant) “clean” voice. This is not a jewel, but if you like such acts as THY SERPENT, THYRANE, … AND OCEANS, CATAMENIA, FAERGHAIL or VORDVEN (and hundreds more), check it out. If you’re not into aforementioned bands… check it out anyway. Who said that you have to lack any typicality to make your stuff worthy enough? At least, it's not that anonymous as f.ex. ALGHAZANTH... (Herr Stalhammar)
 
THYRANE
“Symphonies Of Infernality”
Woodcut Records
rating: 5 of 6
“Beneath The Banner Of The Unholy Satan’s Cult”, “Devil Messiah”, “Satanist”, “In The Shape Of A Demon” – these are some of the song titles. But no, DARKTHRONE-loving kids, it’s not for you. Even though “Symphonies Of Infernality” is true-to-the-core 100000% black metal, there’re absolutely no traces of primitivism or rawness as one could expect. This band performs top-notch symphonic black metal – yeah, “symphonic”, however I doubt if there’s anyone who will dare to use the term “commercial” in regards to THYRANE. They stay true to their roots without limiting themselves in terms of the inspiration sources and stuff. What’s most amusing concerning this band is the wide age spectrum between the youngest and the oldest member: Blastmor is 20, whilst Daemon is 35 years old! If this band survives in at least ten years, it might be interesting to look at the 45-years old man wearing corpse-paint and headbanging on the stage… Oh, nevermind anyway. To say the least, this is an excellent CD, so buy it now! (Herr Stalhammar)

TRISTANIA
“Beyond The Veil”
Napalm Records
rating: 6 of 6
Yet one more masterpiece. Everything TRISTANIA have released so far appeared as truly impressive, however this CD beats all their previous works. This Norwegian band created undoubtedly unique work, combining such styles as black, doom and gothic metal with classical music and vanguard… It’s useless to describe what this effort is all about… however, let’s try to do it… Absolutely amazing female passages by Vibeke… growls, black metallish shrieks and powerful low-pitched “clean” vocals performed by Morten… astounding IMMORTAL-alike drumming (circa “Battles In The North”)… genius (read my lips – G E N I U S !!!!!!!!!!!!) synth arrangements… and, of course, tremendous guitar leads… This album is SO various, but just like “Higher Art Of Rebellion” by AGATHODAIMON, this variety doesn’t provoke separation of the whole musical canvas. Even THERION with their latest CD (“Deggial”) should work hard to reach the level of TRISTANIA. Hey there, listen to me carefully when I’m saying that “Beyond The Veil” is much more than simply a masterpiece! This is genius album, one of the best works I’ve heard for the last couple of years…
P. S. And don’t ask me why did I put this review in a “black metal” section, better find out yourselves after listening to this piece of supreme metal art… TRISTANIA always were closer to BM, than to doom / death anyway…
(Herr Stalhammar)

TUATHA DE DANANN
“Tuatha De Danann”
Heavy Metal Rock
rating: 5 of 6
Folkish mixture of black and heavy metal inspired by Irish sagas coming from Brazil??? With a negro being one of the bandmembers??? Ehm, it’s not bad anyway. Moreover, I’d say it’s good. Despite that cartoonish artwork… however, I wouldn’t say it’s a huge shortcoming, since music is rather splendid. This CD includes some new recordings along with four tracks taken off their demo tape (“Faeryage”). And what’s most surprisingly, these older tracks sound much more impressive, perhaps due to the fact vocals on “Faeryage” tunes sound a lot more exciting. Generally speaking, TUATHA DE DANANN perform an intriguing form of metal, strongly influenced by Irish folklore and mythology, kinda mixture of (as said above) heavy and black metal as well as some doom spice. In the whole, this album is quite various, or more likely – REALLY DIVERSE. Vocals vary from “clean” singing (sometimes extremely pleasant when sung in a high-pitched voice) through (plenty of) male choirs (which don’t have anything to do with those “classic” pseudo-viking howling, though) to either mild growling or black metal-alike screams (mild ones as well). There’re plenty of different non-metal instruments incorporated, even though TUATHA DE DANANN manage to stay enough brutal… although, it’s more so-called “tribal” music, than metal… still staying metal. If you get what I mean, of course. All in all, this is undoubtedly interesting effort, definitely worth enough to listen to. Sort of Brazilian RAGNAROK (I mean UK’s RAGNAROK), only “clean” vocals are much better here. Expect the interview coming in the next issue and while now order this CD from Heavy Metal Rock: hmrock@netamericana.com.br
At least, it won’t bore you down. Moreover, it will intrigue you. I guess, it’s kind of a rare thing nowadays, don’t you think so? (Herr Stalhammar)

VINTERSORG
“Odemarkens Son”
Napalm Records
rating: 5, 5 of 6
Wow, two stunning CD’s unleashed during one single year! Hail to thee, Vintersorg! I’m not going to make this review long, since all those who’d like to get acquainted with this undoubtedly outstanding band should check out my reviews on it’s former efforts (debut MCD and “Till Fjalls” CD ’99). I will say only few words regarding the changes “Odemarkens Son” brought in VINTERSORG’s sound. Speaking generally, it became less black metallish, more emphasized on traditional heavy metal elements, y’know… Also, the songs are much more memorable and better performed (the same goes for vocals). All in all, very interesting, original and exciting CD. (Herr Stalhammar)

ZARATUSTRA
“It Was A Night”
Counter Attack
rating: 5 of 6
Black metal from Bulgaria? Good black metal from Bulgaria??? Hey, whatta surprise! Somewhat familiar bandname, by the way, ha ha! Well, ok, let’s better discuss this CD for a while. ZARATUSTRA develop rather impressive form of black metal. It’s enough melodic yet furious and hateful, i.e. no commercial crap here! It reminds me of early SATYRICON at times, although it’s definitely different. The keyboards are present here, however I wouldn’t say that these guys make emphasis on synths, this is more likely a “guitar music”. The sound is rather average, although it’s enough pleasant for the ear, especially taking into account the fact that this band comes from such a country as Bulgaria. “It Was A Night” lasts for almost 70 minutes, however it never gets boring. All of the nine songs are mostly mid-paced with mesmerizing, yet quite simple synth-parts (heavily reminding me of BURZUM (“Hvis Lyset Tar Oss” and “Det Som Engang Var” era)), sometimes turning into pseudo-flute passages. Vocals vary from hateful screams to meditative declamations through late AMORPHIS-alike “clean” voice with few female voice lines in between. All guys can handle their instruments properly – moreover, even if I compared ZARATUSTRA to few other bands, I’d say that they’re highly original (!) anyway. Highly recommended. (Herr Stalhammar)

ÂÅ×Å (VECHE)
“Veche”
Oriana Productions
rating: 3, 5 of 6
“What you’ll hear isn’t a result of long considerations or meditations. It’s intuition and first feelings, exposed at the gathering of NOKTURNAL MORTUM and LUCIFUGUM”. Ok, let it be the way they want to… Actually, I expected it to be some kind of harsh and furious black metal, however “Veche” turned out as a bit different sort of stuff. This MC-album brings four really long tracks of mystic black metal with plenty of electronic sounds incorporated, so sometimes it sounds more like an ambient thing. All of the songs are VERY atmospheric, hence this MC-album sounds nearly mesmerizing at times… however, it’s was recorded at a rehearsal only, therefore sound sucks incredibly… (Herr Stalhammar)